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Overview

  • 12 references 10 Confirmed & Positive
  • Fluent in English; learning French
  • 35, Male
  • Member since 2012
  • Construction Worker / Film Archivist...same thing really...
  • Bachelor of Fine Arts in Uselessness (with an emphasis in...
  • From Denver, CO.
  • Profile 95% complete

About Me

CURRENT MISSION

24 fps

ABOUT ME

http://www.ubu.com/film/rose_pressures.html

In general, I have no idea who I am, where I'm going or where I will be answerable when I arrive; so in other words, I'm just like anyone else.

Aside from that, what else can I say. Man is incomplete, so how is it possible to describe ones self knowing this. Instead, I'll simply explain that you can tell a lot about a person by the way they process their film...

1.] R1, 20 minutes, constant agitation
2.] T-56, 5 minutes, constant agitation
3.] Clear, 3 minutes, constant agitation
4.] Rinse, 20 minutes, constant agitation
5.] Bleach-fix, 9 minutes, constant agitation
6.] Clear, 3 minutes, constant agitation
7.] Rinse, 40 minutes, constant agitation
8.] Dry

PHILOSOPHY

Giving up, than trying again.
Redundancy.
Irrelevance.
Failing.
Completion.
Becoming immortal, than dying.
Wh.
Etc.

Etc.

Why I’m on Couchsurfing

COUCHSURFING EXPERIENCE

I've been traveling & surfing for over two years now. In between I've had some really great experiences, but I've also had a few uncomfortable experiences. But that doesn't necessarily reflect anything about couch surfing. It's just something that one should expect when attempting to meet new people and trying to have new experiences.

Interests

Film (and by extension, things like rock climbing, ice climbing, video games, cycling, kayaking, sleeping, eating, staring, remembering & forgetting...)

  • education
  • running
  • video games
  • traveling
  • bouldering
  • cycling
  • kayaking
  • surfing
  • rock climbing
  • teaching

Music, Movies, and Books

Antigone, Sophocles (as translated by Fredrich Holderlin), 1804
Heart of Darkness, Joseph Conrad, 1899
Yellow House, Grizzly Bear, 2002
Neon Bible, Arcade Fire, 2007
Pendulum Music, Steve Reich, 1968
Mother II, Shigesato Itoi, 1994
Le Mepris, Jean-Luc Godard, 1969
the sounding lines are obsolete, John Price, 2003
Alaya, Nathaniel Dorsky, 1987
Majora's Mask, 2000
Harvest, Neil Young, 1972
The Sound and the Fury, William Faulkner, 1929
Stalker, Andrei Tarkovsky, 1979
The Passenger, Michelangelo Antonioni, 1975
Speaking In Tongues, Talking Heads, 1983
Super Metroid, Makoto Kano, 1994
Catch 22, Joseph Heller, 1961
Memorias del Subdesarrollo, Tomás Gutiérrez Alea, 1968
L'avventura, Michelangelo Antonioni, 1960
Passion, Jean-Luc Godard, 1982
Big Science, Laurie Anderson, 1982
Threnody, Nathaniel Dorsky, 2004
Dark Souls, Hidetaka Miyazaki, 2011
The Margites, Pigres, Unknown Date
Au Hasard Balthazar, Robert Bresson, 1966
Towards a Third Cinema, Fernando Solanas & Octavio Getino, c. 1969
L'eclisse, Michelangelo Antonioni, 1962
San Soleil, Chris Marker, 1983
"Heroes", David Bowie, 1977
Kid A, Radiohead, 2000
Dune, Frank herbert, 1965
Etc..

One Amazing Thing I’ve Done

A 35mm print of Le Mepris.
The Pacific Ocean.

(both of which are exactly the same thing)

Teach, Learn, Share

I help run a film collective which focuses on film education called Process Reversal.

In this previous year, I've taught various film production courses in Denver (CO), Boulder (CO), London (UK), Paris (FR), Berlin (GR), Zagreb (CR), Toronto (ON), Montreal (QC), Quebec City (QC), New York (NY), Los Angles (CA), Seattle (WA), Vancouver (BC)...

Countries I’ve Visited

Belgium, Canada, Croatia, France, Germany, Netherlands, United Kingdom, United States

Countries I’ve Lived In

United States

Old School Badges

  • 2 Vouches

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